Archaeology Odyssey
Archaeology Odyssey takes the reader on a journey through the classical world as seen through the eyes of the top archaeologists in the discipline. Written with you in mind, the experts explain the latest in classical research in a way that is accessible to the general public. Read the complete series today!
Endnote 7 - Editors’ Page: How to Stop Looting
Endnote 6 - Editors’ Page: How to Stop Looting
Endnote 5 - Editors’ Page: How to Stop Looting
Endnote 4 - Editors’ Page: How to Stop Looting
Endnote 3 - Editors’ Page: How to Stop Looting
Endnote 2 - Editors’ Page: How to Stop Looting
Endnote 1 - Editors’ Page: How to Stop Looting
Endnote 3 - Reviews
See MacDonald, Architecture of the Roman Empire, p. 135: “Hadrian ordered, suggested, and criticized, shaping buildings more by the force of his intellect and personality than by any painstaking professional procedures for which in any event he had little or no time…Through his passion for building he influenced architecture profoundly, not the least because he was able to manipulate so much talent, manpower, and money in its favor.” Hence, conversely, the buildings reveal the mind of the builder.
Endnote 2 - Reviews
See D. Willers, Hadrians panhellenisches Programm: Archäologische Beiträge zur Neugestaltung Athens durch Hadrian (Basel, Switzerland: Vereinigung der Freunde Antiker Kunst, 1990); Mary T. Boatwright, Hadrian and the City of Rome(Princeton: Princeton Univ. Press, 1987). See also, on the Pantheon, William L. MacDonald, The Architecture of the Roman Empire I: An Introductory Study, Yale Publications in the History of Art, no. 17 (New Haven and London: Yale Univ. Press, 1982).
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