Bible Review
Bible Review opens the realm of Biblical scholarship to a non-academic audience. World-renown scholars detail the latest in Biblical interpretation and why it matters. These important pieces are paired with stunning art, which makes the text come to life before your eyes. Anyone interested in the Bible should read this seminal magazine.
Endnote 10 - The Gospels
Endnote 9 - The Gospels
A number of scholars still emphasize the unique character of the Gospels: Robert A. Guelich, “The Gospel Genre,” in Das Evangelium und die Evangelien, ed. P. Stuhlmacher (Tubingen: J.C.B. Mohr [Paul Siebeck], 1983), pp. 183–219; Helmut Koester, Introduction to the New Testament (Philadelphia: Fortress Press, 1982), p. 169: “Thus, with his Gospel, Mark created a genre of literature.”
Endnote 8 - The Gospels
Endnote 7 - The Gospels
Karl Ludwig Schmidt, “Die Stellung der Evangelien in der allgemeinen Literaturgeschichte,” in Neues Testament, Judentum, Kirche: Kleine Schriften, ed. Gerhard Sauter (Munich: Kaiser Verlag, 1981), pp. 37–147. This article was originally published in EUCHARISTERION: Studien zur Religion und Literatur des Alten und Neuen Testaments. Hermann Gunkel zum 60. Geburtstag. (Gottingen: Vandenhoeck & Ruprecht, 1923), vol. 2, pp. 50–134.
Endnote 6 - The Gospels
Endnote 5 - The Gospels
Van A. Harvey, The Historian and the Believer (New York: Macmillan, 1966), p. 249. This dictum has been called “Lessing’s ugly ditch,” because its effect has been to separate faith from reason, and it was accepted by the philosophers Lessing and Kierkegaard, by the late-19th-century Christian theologians Wilhelm Hermann and Martin Kahler and by such diverse dialectical theologians as Karl Barth and Rudolf Bultmann.
Endnote 4 - The Gospels
Endnote 3 - The Gospels
Endnote 2 - The Gospels
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