Archaeology Odyssey
Archaeology Odyssey takes the reader on a journey through the classical world as seen through the eyes of the top archaeologists in the discipline. Written with you in mind, the experts explain the latest in classical research in a way that is accessible to the general public. Read the complete series today!
Endnote 7 - “This is the Taste of Death”
Endnote 6 - “This is the Taste of Death”
Endnote 5 - “This is the Taste of Death”
Endnote 4 - “This is the Taste of Death”
See K. Prag, “The Intermediate Early Bronze-Middle Bronze Age: An Interpretation of the Evidence from Transjordan, Syria and Lebanon,” Levant 6 (1974), pp. 66–116; and “Preliminary Report on the Excavations at Tell Iktanu, Jordan 1989,” Annual of the Department of Antiquities of Jordan 34 (1990), pp. 119–130.
Endnote 3 - “This is the Taste of Death”
See R. Gophna, “The Intermediate Bronze Age,” in Amnon Ben Tor, ed., The Archaeology of Ancient Israel, translated by R. Greenberg (London and New Haven: Yale Univ. Press and the Open University of Israel, 1992), pp. 159–210; and Amihai Mazar, Archaeology of the Land of the Bible 10,000–586 B.C.E. (London: Lutterworth Press, 1990), pp. 151–173.
Endnote 2 - “This is the Taste of Death”
Endnote 1 - “This is the Taste of Death”
Endnote 9 - Monasteries?
Lafontaine-Dosogne interprets the donor image as an aristocratic family with male members to the left and female members to the right and compares the image to the princely family depicted in the Hagia Sophia in Kiev, which is contemporary to the structure at Selime (“La Kale Kilisesi de Selime et sa représentation des donateurs,” Zetesis: Album Amicorum E. de Strijcker [Antwerp/Utrecht, 1973], pp. 741–753).
Endnote 8 - Monasteries?
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