Bible Review

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Endnote 6 - Tracing the Spread of Early Christianity Through Coins

Patrick Bruun, Roman Imperial Coinage, Vol. 7 (London: Spink, 1966), #43.

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Endnote 5 - Tracing the Spread of Early Christianity Through Coins

Ramsey MacMullen, Constantine (Cambridge, Mass: Harvard University Press, 1981), p. 72.

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Endnote 4 - Tracing the Spread of Early Christianity Through Coins

See Samuele Bacchiocchi, “How It Came About: From Saturday to Sunday,” BAR 04:03.

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Endnote 3 - Tracing the Spread of Early Christianity Through Coins

We use here the most ancient spelling. Cicero (first century B.C.) and Lactantius (fourth century A.D.) spelled it Mulvian. Later historians have spelled it Milvian.

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Endnote 2 - Tracing the Spread of Early Christianity Through Coins

Lactantius’s works are in The Ante-Nicene Fathers, Vol. 7 (Grand Rapids, Mich.: Eerdmans, 1970).

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Endnote 1 - Tracing the Spread of Early Christianity Through Coins

Eusebius’s works are in Nicene and Post-Nicene Fathers, 2nd Series, Vol. I(Grand Rapids, Mich.: Eerdmans, 1971)

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Endnote 2 - Bible Books

The project was initiated and sponsored by the Dumbarton Oaks Center for Byzantine Studies. Additional support was given the National Endowment for the Humanities and the National Gallery of Art in Washington, D.C.

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Endnote 1 - Bible Books

Demus’s earlier publications on the churh of San Marco include a monograph on the mosiacs, Die Mosaiken von San Marco in Venedig, 1100–1300 (Baden, 1935) and The Church of San Marco in Venice: History, Architecture, Sculpture Dumbarton Oaks Studies, 6, (Washington, D.C., 1960).

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Endnote 4 - On Rereading the “Kid in Milk” Inscription

Cf. J. C. de Moor, New Year with Canaanites and Israelites, 2 vols. (Kampen: Kok, 1972), Vol. 2, p. 19; A Caquot, M. Sznycer and A. Herdner, Textes ougaritiques, tome I; Mythes et Légendes (Paris: Cerf, 1974), p. 371, notes p and q.

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Endnote 3 - On Rereading the “Kid in Milk” Inscription

We have also identified similar filled-in letters on other Ugaritic cuneiform tablets that the West Semitic Research Project photographed in the Louvre. We are grateful to Jerry Podany, interim director of antiquities conservation, The J. Paul Getty Museum, for taking the time to study photographs of the filled-in letters found on this and other Ugaritic texts and for advising us on the nature of the damage that may have occurred.

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