Biblical Archaeology Review

See the seminal discussion by Richard Krautheimer, “Introduction to an ‘Iconography of Medieval Architecture,’” Journal of the Warburg and Courtauld Institutes 5 (1942), pp. 1–33, reprinted in Krautheimer, Studies in Early Christian, Medieval, and Renaissance Art (New York: New York Univ. Press, 1969), pp. 115–150; also see Ousterhout, “Loca Sancta and the Architectural Response to Pilgrimage,” in Blessings of Pilgrimage, pp. 108–124.

Charles Rufus Morey, “The Painted Panel from the Sancta Sanctorum,” Festschrift zum sechzigsten Geburtstag von Paul Clemen (Bonn-Dusseldorf: F. Cohen, 1926), p. 150ff.; Vikan, Byzantine Pilgrimage Art, pp. 18–20.

Gary Vikan, Byzantine Pilgrimage Art (Washington, DC: Dumbarton Oaks, 1982); Ousterhout, ed., The Blessings of Pilgrimage (Urbana, IL: Univ. of Illinois Press, 1990).

A. Testi Rasponi, “Note marginale al Liber Pontificalis di Agnello,” R. Deputazione di Storia Patria per le Provincie di Romagna, Atti e memorie 4:2 (1912), pp. 202–203.

I have written at length about this. See Ousterhout, “The Church of S. Stefano: A ‘Jerusalem’ in Bologna,” Gesta 20 (1981), pp. 311–321; also Gina Fasoli, ed., Stefaniana: Contributi per la storia del complesso di S. Stefano in Bologna, Deputazione di Storia Patria per le Provincie de Romagna, Documenti e studi 17 (Bologna, 1985).

Robert Venturi, Complexity and Contradiction in Architecture (New York: Museum of Modern Art, 1966).

The best, most thorough and most recent analysis of the Crusader building is that of Jaroslav Folda, The Art of the Crusaders in the Holy Land, 1098–1187 (Cambridge and New York: Cambridge Univ. Press, 1995), pp. 175–245, with its important observations on the chronology of construction, the majority of which he places in the decade 1040–1049.

Ousterhout, “Rebuilding the Temple,” passim.

Corbo, Santo Sepolcro, passim.

Eusebius, Life of Constantine 3.26–27, in Wilkinson, Egeria’s Travels, pp. 164–165.