Archaeology Odyssey
Archaeology Odyssey takes the reader on a journey through the classical world as seen through the eyes of the top archaeologists in the discipline. Written with you in mind, the experts explain the latest in classical research in a way that is accessible to the general public. Read the complete series today!
Endnote 6 - Uncovering Nineveh
Endnote 5 - Uncovering Nineveh
According to Shawn Malley, the British “desired to forge deep-rooted cultural associations with the impressive Assyrian world Layard had unearthed.” Layard’s accomplishments were “extolled in the periodical press as a mission to locate Assyria in a cultural continuum crowned by Great Britain” (“Austen Henry Layard and the Periodical Press: Middle Eastern Archaeology and the Excavation of Cultural Identity in Mid-Nineteenth Century Britain,” Victorian Review 22.2 [1996], p. 158).
Endnote 4 - Uncovering Nineveh
Endnote 3 - Uncovering Nineveh
Endnote 2 - Uncovering Nineveh
When Charles Darwin’s Origin of Species (1859) appeared, this apparent conflict between science and religion became a crisis. However, earlier writers, including Darwin’s grandfather Erasmus Darwin, had broached some of the evolutionary ideas that Charles Darwin consolidated evidence for and applied to living species in terms of the theory of natural selection. One of Charles Darwin’s younger contemporaries, Alfred Russel Wallace, also independently formulated the theory of natural selection shortly before Darwin published Origin.
Endnote 1 - Uncovering Nineveh
Layard’s sketches were put into final form for Nineveh and Its Remains by George Scharf, Jr. As Frederick N. Bohrer has pointed out, Scharf worked for Layard’s publisher and was “the primary artist for many of the book’s illustrations” (Orientalism and Visual Culture: Imagining Mesopotamia in Nineteenth-Century Europe [Cambridge University Press, 2003], p. 146).
Endnote 15 - Narmer’s Enigmatic Palette
Endnote 14 - Narmer’s Enigmatic Palette
Endnote 13 - Narmer’s Enigmatic Palette
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