Bible Review

William L. Petersen, Tatian’s Diatessaron: Its Creation, Dissemination, Significance, and History in Scholarship (Leiden: E.J. Brill, 1994).

See Marcel Simon, “Remarques sur les synagogues à images de Doura et de Palestine,” Recherches d’histoire Judéo-Chretienne (Paris: Mouton, 1962), pp. 188–198, 204–208; and Herbert Kessler, “A Response to Christianity?” in Kurt Weitzmann and Kessler, The Frescoes of the Dura Synagogue and Christian Art (Washington: Dumbarton Oaks, 1990), pp. 178–183.

Elias Bickerman, “Symbolism in the Dura Synagogue—A Review Article,” Harvard Theological Review 58 (1965), pp. 127–151, here p. 145.

Gutmann, “Early Synagogue and Jewish Catacomb Art and Its Relation to Christian Art,” Aufstieg und Niedergang der römischen Welt II 21:1 (1984), pp. 1313–1342.

George D. Kilpatrick, “Dura-Europos: The Parchments and the Papyri,” Greek, Roman and Byzantine Studies 5 (1964), pp. 215–225.

See Jacob Milgrom, “The Case of the Suspected Adulteress, Numbers 5:11–31: Redaction and Meaning,” in The Creation of Sacred Literature, ed. R.F. Friedman, (Berkeley: Univ. of California Press, 1981) pp. 69–75; and Milgrom, Numbers, (Philadelphia: Jewish Publication Society, 1990), pp. 346–354.

H.C. Brichto, “The Case of the Sota and a Reconsideration of Biblical ‘Law,’” Hebrew Union College Annual 46 (1975), pp. 55–70.

Spong, Resurrection.